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photo: Abdus Salique, who is leading the campaign against the filming of Brick Lane. Photograph: Guardian/Sarah Lee, Monica Ali, picture washington post

Monica Ali is again in the headline in the community in England. The shooting of her film got cancelled due to some members of the community protesting.

For a bit of a background for those who don’t know much about her, here is a recent video interview from BBC.

Also check out this piece on Washington Post about her writing life

where she incredibly says the following:

When Brick Lane was published, I was repeatedly asked how much research I had done. How did I go about it? When I said that I had done research but didn’t consider it hugely important, I was met with a baffled response. Now, with Alentejo , I can say again, truthfully, that I have done the research. It seems to satisfy people. For me, research is a useful means of procrastination. (I’m not being entirely flippant. One needs to hesitate.)
But research is about knowing, and knowing is easy. Anyone who cares to can find out that there is overcrowding and drug abuse in the Bangladeshi community in London’s East End. You don’t even have to go there. You only need to know how to use a search engine.

Do you agree or disagree? Is research really a form of procastination for the writers? What are the thinking of the writers and readers out there? How important is research for a fictional book?

Update: Also if you want to participate in the debate on the protest. There is a good debate going on in Guardian. Jonathan Heawood’s piece (did he pick the title from our previous blog entry?) sums up the issue pretty well. Take a look and participate and see how one sweetshop owner can have the nationals going ga ga over his protest. Overreaction by the media and the production house? Do people really feel that strongly against that film.

On the other side, Germaine Greer explores whether this shopkeeper has a point. What Greer said has summed as the crust of the protest is here:

Ali did not concern herself with the possibility that her plot might seem outlandish to the people who created the particular culture of Brick Lane. As British people know little and care less about the Bangladeshi people in their midst, their first appearance as characters in an English novel had the force of a defining caricature. The fact that Ali’s father is Bangladeshi was enough to give her authority in the eyes of the non-Asian British, but not in the eyes of British Bangladeshis.

Ironically, when you piece together Ali’s comment about research or lack of it for Bricklane, the discontent makes a bit of sense. Ali, recreated the sterotypes from a very superficial level. Whatever the case, this allowed us to have a dialogue on the issues that plagues the community. However, with the pseudo censorship, that door is now closed.